¹ Psalm 74:12. The multiple verses of this psalm in the cantata were probably intended to point to its language (in verses not used in the libretto) of destruction of houses of worship by fire; Mühlhausen, for which this cantata was written, had recently experienced a devastating fire that had destroyed or damaged three churches in the city.

² “Hilfe” in Luther’s biblical German can mean “help” or “salvation,” or both. Luther read Psalm 74 as a prefigurement of God’s bringing Christian salvation.

³ The verb “geschichten” (“to occur by higher influence”) is used in older German as a intensified form of “geschehen” (“to happen” or “to occur”).

⁴ An adaptation of 2 Samuel 19:35a, which in the Luther Bibles of Bach’s day reads “Ich bin heut achtzig Jahr alt” (“I am today eighty years old”).

⁵ An adaptation of 2 Samuel 19:35b, which in the Luther Bibles of Bach’s day reads “Warum sollt dein Knecht meinen Herrn König fürder beschweren?” (“Why should your servant, in future, burden my lord the King?”).

⁶ This is the text found in Bach’s manuscript score and in the 1708 publication of this cantata. The libretto was also printed by itself, separately from the printed music, and it reads “Lass mich umkehren” (“let me turn back”).

⁷ An adaptation of 2 Samuel 19:37a, which in the Luther Bibles of Bach’s day reads “Lass deinen Knecht umkehren, dass ich sterbe in meiner Stadt bei meines Vaters und meiner Mutter Grabe” (“Let your servant turn back, that I may die in my [own] city near the grave of my father and my mother”).

⁸ A stanza of “O Gott, du frommer Gott.”

⁹ This is the language of Barzillai the Gileadite, who (as related in 2 Samuel 19) was invited by King David of Israel to become part of the court at Jerusalem but refused the honor on account of his advanced age of eighty years. The present cantata was designed to celebrate the change of town council in Mühlhausen in 1708; its libretto adapts and applies the words of Barzillai’s speech to the situation, it seems, of Adolph Strecker (1624–1708), who was installed once again as Mühlhausen’s mayor in 1708, when he was likewise in his eighties and probably visibly ill.

¹⁰ “Sich beschweren” can mean “to attach blame,” or “to burden oneself,” or “to complain.” Here, in context (see also fn. 5 and fn. 9, above), it most probably means “to burden oneself.”

¹¹ Keeping God’s commandments is said to bring a longer and better life. In the Luther Bibles of Bach’s day, Proverbs 3:2 reads “sie werden dir langes Leben, und gute Jahre, und Frieden bringen” (“they [God’s commandments] will bring you long life, and good years, and peace”).

¹² “Saur” in older German was used variously, including as a synonym for “beschwerlich” (“arduous”); see also fn. 10, above.

¹³ Deuteronomy 33:25.

¹⁴ Genesis 21:22.

¹⁵ Psalm 74:16-17. Some Luther Bibles of Bach’s day read “jeglichen” while others read “jeglichem.” Bach’s manuscript score and the 1708 printed libretto give “jeglichen,” while the 1708 printed score and Bach’s manuscript performing part give “jeglichem.” The meaning is in any event the same.

¹⁶ According to Psalm 147:14, “Er schafft deinen Grenzen Friede” (“He [God] establishes the peace of your border”); consider also the language of Ephesians 3:7, “ . . . nach der Gabe aus der Gnade Gottes, die mir nach seiner mächtigen Kraft gegeben ist” (“according to the gift out of God’s grace that is given to me according to his mighty power”). Mühlhausen, for which this cantata was written, had reason in 1708 to fear for its borders in the face of the military aggression of France.

¹⁷ The notion that “peace must glitter” may sound strange, and this is apparently the intention here, namely to present a rhetorical inversion: it is the swords and shields of war that glitter. Thus the verb “glänzen” is sometimes used in the Luther Bibles in connection with weapons. For example, Job 39:23b reads “glänzet beide Spiess und Lantzen” (“[against the side of the horse] glitters both spear and lance”).

¹⁸ Here “beben” is probably intended in its old transitive usage “to instill trembling,” here implying threatening.

¹⁹ An adaptation of Psalm 74:19, which in the Luther Bibles of Bach’s day variously reads “Du wollest/wolltest nicht dem Tier geben die Seele deiner Turteltaube/Turteltauben, und deiner elenden Tier/Tiere nicht so gar vergessen” (“May/Might you [I pray] not give to the [wild] animal the soul of your turtledove and completely forget your miserable animal [the pure, innocent turtledove]”). All the “animal” words are given in the singular in the underlying Hebrew text, and where “Tier” is here rendered in German with an “e”-ending, and “Turteltaube” with an “n”-ending, this is simply old-fashioned orthography for a genitive in the singular.

²⁰ The expression “du wollest” with complementary infinitive was often employed in prayers and requests, and accordingly “Du wollest nicht geben” is not a statement but a plea; it means “May you not give,” not “You may not want to give” or “You would not give.”

²¹ In the Hebrew Bible, the turtledove was a sacrificial animal of the poor (Leviticus 5:7), used as a metaphor in Psalm 74 for those who had been slain like sacrificial animals by Israel’s enemies. In the world of Bach’s cantata, this “turtledove” would be interpreted as foreshadowing the innocent church that calls to God for salvation from its enemy.

²² Biblically, this enemy is “der Feind den HERREN schmähet” (“the enemy [who] reviles the LORD”) of Psalm 74:18. Bach’s audience will have understood the Psalm’s “enemy” as a foreshadowing of the godless who revile the church.

²³ The printed libretto of 1708 and some modern editions give “Das neue Regiment . . . bekröne der Segen” (“May blessing crown the new government”).

²⁴ The printed libretto of 1708 and some modern editions give “von neuem,” which is grammatically better than “von neuen.” But all the other original sources give “neuen,” doubtless to accommodate the need to rhyme with “erfreuen” in the next line.

²⁵ That is, the town council of Mühlhausen.

²⁶ Joseph I, the Holy Roman Emperor and ruler of the Austrian Habsburg Monarchy from 1705 until his death in 1711. A “free imperial city,” like Mühlhausen, was subordinate only to the emperor; a “territorial city,” by contrast, was subordinate to a territorial prince. The elaborate printed libretto and extraordinary printed set of musical performing parts were certainly intended as emblems of tiny Mühlhausen’s allegiance.

²⁷ The more common plural for “Land” is “Länder,” but an additional, older German nominative plural is “Lande”; its dative is “Landen.” The second syllable of the plural of “Ort” was clipped in this line to accommodate the scansion.